ARCH 4102 Design Studio · Manack + Swisher · UNC Charlotte School of Architecture · Spring 2019
by Clark Cheng
Ensembles was a two-part design studio focused on the possibilities for advanced architectural composition through a careful study of the formal implications of modern and contemporary painting and sculpture. For the first half of the semester, the studio analyzed painterly practices and translated them into a series of abstract architectural proposals — studies in texture, weave, and shallow relief built up from found-object surface scans, layered wood assemblies, and CNC-milled panels.
In the second half — under the studio position of proformalism — these abstract studies were used collaboratively as the generative logic for an ensemble, or master plan, for a large-scale affordable housing development in Charlotte. The premise: innovative organizational strategies are necessary to challenge barriers to affordable housing, triangulating relationships between policy and economics, public space, and urban form.
Full studio brief and methodology, for reference:
The studio began by scanning and rebuilding the surface qualities of found objects — a piece of burnt wood, a fallen leaf, a cracked sidewalk slab, a scatter of table coins — as bitmap displacement, normal, and occlusion maps. Each texture was then CNC-milled and 3D printed at small scale before being rebuilt as a 16×16 relief panel.
Found textures photographed on site before scanning and reconstruction.
Texture study layout board:
A parallel line of study layered opaque and transparent volumes against one another, iterating on how solid and void, mass and light, could be combined within a single composition. Six quick iterations narrowed toward two final combinations, each rendered in both a beauty pass and an ambient-occlusion pass to read the underlying massing separately from material and light.
The Weave phase built on the texture logic at a larger, tectonic scale — interlocking strips of wood arrayed into warp-and-weft patterns, then abstracted into a series of iterations that were combined with a studio partner's work to test how two independently developed formal languages could merge into a single hybrid piece.
Final hybrid poster boards, developed with a studio partner:
Shallow Relief translated the studio's compositional diagrams — crossed, eroded, and combined solids — into low-relief panels, exploring how a flat field could carry spatial depth through subtle changes in surface height.
Shallow Relief analysis and layout board:
The strongest shallow relief study was rebuilt at architectural scale, CNC-milled and laser-cut as a wall-scale panel to test how the same subtle datum shifts would read at a body-scaled, occupiable size.
The completed studies were rebuilt as a series of physical models — laser-cut chipboard massing studies, 3D-printed relief panels, and layered plywood weave assemblies — and photographed in studio.
In the studio's second half, the texture, weave, combination, and relief languages developed above were used collaboratively as the generative logic for a large-scale, affordable housing ensemble in Charlotte — triangulating policy and economics, public space, and urban form into a proposal aimed at equitable, profitable development, neighborhood stabilization, and mixed-income sustainable living.
The full first-quarter portfolio below brings every study together into the final combination submitted for review: