"Embrace the tool on not only what it can do but on the exploration of what more it can do."
With the rise of digital fabrication and increase use of technology in our design, we have more of a responsibility to take charge of the craft of our work. The greater control of our quality of "perfection" has led to the creation of the "imperfect perfection" of digital fabrication and design.
In the context of digital fabrication and design, this philosophy often emphasizes the importance of taking responsibility for the impact of one's creations.
One key aspect of a design philosophy centered on digital fabrication is the idea that these techniques should not only be seen as a means of production, but also as a driving force behind the aesthetics of a design. Rather than simply using digital fabrication as a tool to execute a pre-determined design, designers can embrace it as a method of design itself, allowing the fabrication process to shape and influence the final product.
Clark's design philosophy has always been about embracing the fabrication technique into the design and let it be one of the driving forces in the overall aesthetics and structural integrity. His mastery of technical machines, such as the CNC router, 3D printing techniques, and KUKA PRC technology.
Along with the exploration of the tool, Clark tends to explore all avenues of fabrication through tool and material exploration. Many of his projects include the exploration of the limits of the tools and materiality such as, "Toolpath Textures" and "Longboard Field Spin".